BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Le Miroir de Musique - ECPv5.5.0.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Le Miroir de Musique
X-ORIGINAL-URL:https://lemiroirdemusique.com
X-WR-CALDESC:Events for Le Miroir de Musique
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20260101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260823
DTEND;VALUE=DATE:20260824
DTSTAMP:20260420T025843
CREATED:20260305T113854Z
LAST-MODIFIED:20260305T160322Z
UID:235837-1787443200-1787529599@lemiroirdemusique.com
SUMMARY:Alienor’s Trobadors
DESCRIPTION:Sirventès: Power Struggles in the court of Eleanor of Aquitaine and Richard the Lionheart through their Troubadours \nMiriam Trevisan\, Soprano\nJacob Lawrence\, Tenor\nAliénor Wolteche\, Viele\nClaire Piganiol\, Romanesque Harp\nBaptiste Romain\, Viele\, Rebec\, Bagpipes & Direction \nIn the 12th century\, Western Europe was a landscape of profound political upheaval and dynastic shifts\, driven by the ambitions of kings\, queens\, and prelates. At the center of this world stood Eleanor (Aliénor)\, Duchess of Aquitaine—one of the most influential figures of the Middle Ages\, successively Queen of France and Queen of England. \nFar from being mere observers\, the Troubadours were active participants in the political discourse of the Plantagenet court. They utilized the Sirventès—a sophisticated and highly crafted poetic form—to deliver moral critiques\, political commentary\, and sharp satire. This program explores the complex relationship between art and power\, through the refined rhymes and melodies that echoed the rebellions and intrigues of Eleanor and her son\, Richard the Lionheart. \nFeaturing works that illustrate the art of the Troubadours as a refined tool of social and political expression.
URL:https://lemiroirdemusique.com/event/alienors-trobadors/
LOCATION:Radovljica\, Slovenia\, Radovljica\, Slovenia
END:VEVENT
END:VCALENDAR